Back in the day, 35mm film was called “miniature” format; its itty bitty negatives were considered only good for snapshots and maybe street photography (sorry, Leica shooter Henri Cartier-Bresson). Serious photography—landscape, portraiture, documentary, commercial—was dominated by medium format film, a platform that produced images with fine detail and luscious tonality, even when blown up to make billboard-size prints.
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